Hollywood Camera Work The Master Course All CD شماره 677

مجموعه ویدئو های آموزشی برای یک کارگردان نامی شدن

این مجموعه در 9 ساعت و به صورت 3 بعدی کارگردانی به سبک روز دنیا را برای شما هنر جویان آموزش می دهد.

در این مجموعه با اصولی که یک گارگردان بایستی رعایت کند آشنا خواهید شد.اصولی همچون مسدود سازی صحنه،نورپردازی،جلوه های ویژه و ......... 

در این مجموعه آموزشی نحوه قرارگیری و حرکت دوربین در سینمای هالیوودی آموزش داده می شود. حرکات دوربین در پلان های مختلف و تکنیک های مربوط به آن برای احراز بهترین نتیجه تنها گوشه ای از دریای نکات نهفته در این فیلم سه بعدی تماماً شبیه سازی شده می باشد.
  تمام کسانی که در زمینه ساخت فیلم و دوره های سینمایی فعالیت می کنند می توانند از آموزش های ارائه شده در این مجموعه کمال استفاده را ببرند.

این دوره توسط مدیر شرکت هولمز یکی از شرکت برتر فیلم سازی و کارگردانی تهیه شده است.

 این مجموعه در 6 CD تهیه شده است که تمام مجموعه را در قالب یک دی وی دی جمع آوری نموده ایم 

قیمت : قیمت کلیه محصولات را می توانید در فایل اکسل ( قابل دانلود ) ملاحظه نمائید

( آموزش شماره 677 ) 

نحوه خرید از فروشگاه

Ready to Learn A Lot
Years in the making, The Master Course In High-End Blocking & Staging is the most comprehensive and ambitious Directing Course in the world. A groundbreaking learning tool used by everyone from beginners to Academy Award winners, the course teaches high-end camera work through over 9 hours of 3D animated instruction in 6 parts. Besides working with actors, blocking is one of the most important things a Director does, and should be really good at. Yet most books, videos and many film schools barely touch the basics.

A Total Language
The Master Course is a powerful system of single-camera blocking and an unprecedented language of camera work, that may fundamentally change the way you direct. The course was created by director Per Holmes, who spent over half a decade developing an all-inclusive language of high-end feature camera work for personal use, and then realized how much others would benefit from these techniques. The Master Course is far beyond any current filmmaking program, and is intended for professionals who want to take their blocking skills to the highest level, and those who are crossing over from another discipline, but can be used by filmmakers at any level who are committed to mastering high-end directing.

What You Will Learn
The primary goal of The Master Course in High-End Blocking and Staging is to do the most effective blocking with the highest production-value, and to build a vast repertoire of techniques to make Directing more expressive — and ultimately more fun. The course also deals with the problem that blocking often grabs so much of our attention that we're forced to choose between doing camera work or nurturing great performances. If we choose acting, the camera work suffers. If we choose camera work, the actors are often left to direct themselves. One of the key goals of the course is to have great camera work become so automatic that we can do both at the same time. When shooting, we also too often abandon many great shots we had planned. When we're under pressure, we revert to tried and tested techniques like two reverses and a master. Even if we know plenty of techniques, we often only use the ones we know extremely well, so another key goal of the course is to know techniques so well that we actually use them. The higher purpose of the course is to do as meaningful and expressive camera work as possible. While the course spends a lot of time getting good at technical things like complex line-issues, the deeper goal is to have a profound understanding of the how and why of everything. Ultimately, the goal is to have as clear and precise an emotional impact as possible. All the hot moves we can create (and we do create a lot) are really means to that end.

Volume I: Stationary Blocking
1. Introduction
2. Shot Sizes And Types
3. Focal Length
4. Framing And Perspective
5. Staging Upwards And Downwards
6. Managing The Line
7. Coverage
8. Spatial Continuity
9. Open And Closed Framing
10. Right-Angle, Outward And Parallel Cameras
11. Letter Shapes And Camera Plots: I
12. Letter Shapes And Camera Plots: A
13. Letter Shapes And Camera Plots: L
14. Letter Shapes And Camera Plots: U, II, O
15. Scattered Characters

Volume II: Stationary Blocking
1. Temporal Continuity
2. Expanding And Contracting Time
3. Transforming Cameras
4. Covering Stops
5. Motivations For Character Movement
6. Motivations For Stopping
7. Script Staging: Motivations For Movement
8. Intimacy, Honesty And Power
9. Script Staging: Intimacy, Honesty And Power
10. Managing The Line: Moving Lines Part I
11. Managing The Line: Moving Lines Part II
12. Coordinating Foreground And Background
13. Deep Staging Part I: Static
14. Deep Staging Part II: Shifting Depth
15. Depth Of Field In-Depth
16. Managing Focus And Rack Focus
17. Mirrors, Hotspots And Shadows

Volume III: The Moving Camera
1. Introduction
2. Why Storyboarding Doesn't Work
3. Thinking In Parallel
4. Thinking In Keyframes
5. Thinking Backwards
6. Script Staging: Parallel Staging And Keyframes
7. Pan: Keyframe To Keyframe
8. Pan: Reframe And Regroup
9. Pan: Start On, Reveal, End On
10. Blocking-Transitions
11. Pan: Search, Shift, Swish
12. Pan: Hand-Off
13. Parallax And The Value Of Foreground
14. Track: Coordinating Foreground
15. Track: Keyframe To Keyframe
16. Track: Keyframes On Opposite Sides Of The Line
17. Track: Deep Staging To Deep Staging
18. Track: Early And Late Arrival Into Keyframe
19. Track: Parallel
20. Track: Start On, Reveal, End On

Volume IV: The Moving Camera
1. Track: Hand-Off
2. Track: Opening And Closing Space
3. Track: Personal And Impersonal
4. Track: Back Parallax And Unrest
5. Track: Regroup
6. Track: Reframe
7. Track: Timed Master Move
8. Track: Master Push
9. Track: Close Push
10. Track: Low Push, High Push
11. Track: Pull
12. Track: Converge And Counter
13. Track: Pivot
14. Track: Pivot-Reveal
15. Track: Around
16. Pan And Track: Rack Focus
17. Boom And Crane
18. Crane: Keyframe To Keyframe, Parallel
19. Crane: Start On, Reveal, Vertical Converge
20. Crane: Pivot, Pivot-Reveal
21. Crane: Low/High Push, High/Low Push

Volume V: Staging High-End Scenes
1. A Notation System For Blocking
2. The Checklist: 7 Essential Blocking Steps
3. Script Staging: "Change Of Plans"
4. "Change Of Plans" Blocking
5. "Change Of Plans" Cut
6. Script Staging: "Under Attack"
7. "Under Attack" Blocking
8. "Under Attack" Cut
9. Script Staging: "Not A Suspect"
10. "Not A Suspect" Blocking
11. "Not A Suspect" Cut

Volume VI: Staging High-End Scenes
1. Script Staging: "System Failure"
2. "System Failure" Blocking
3. "System Failure" Cut
4. Script Staging: "Custody"
5. "Custody" Blocking
6. "Custody" Cut
7. Script Staging: "A Terrible Mistake"
8. "A Terrible Mistake" Blocking
9. "A Terrible Mistake" Cut
10. Script Staging: "The Curse"
11. "The Curse" Blocking
12. "The Curse" Cut
13. Adjusting For Widescreen And Scope

A de Facto Standard by Now
We've had the privilege of seeing The Master Course being bought by some of the most famous filmmakers in the world, some of whom bought dozens to give to their crews. The course is also used by every major film school and university, every major animation studio, including Disney, DreamWorks and Pixar, every major game studio, including EA Games, Sony and UbiSoft -- and some of our most esteemed users have personally won over 10 Academy Awards and over 15 Emmys. These are people whose movies everyone has seen. Yet they're still learning and training, which we find humbling. So this is a course for everyone, whether you’re just starting out, or whether your last movie grossed $300M, because everyone benefits from exploring the ENTIRE language of camera directing, not just the 5 or 10 techniques we’re comfortable with and use all the time.

blocking a shot (or scene):
The process of figuring out where the camera goes, how the lights will be arranged, and what the actors' positions and movements -moment by moment- are for each shot or take; often, the specific staging of a film's movements are worked out by the director, often with stand-ins and the lighting crew before actual shooting.

Keywords: Tutor Tutorial Learning Guide Movie Film Documentary Performing Art Cinematography Hollywood Camera Work Master Course in High-End Blocking & and Staging